The Carpet Bagger's Journal — moving from NYC to Mississippi

October 5, 2015

Down Home Homes — The Flamboyant Cowboy Vernacular of Chip and Joanna Gaines

Why do we go home?  I mean, why do we bother?  In New York City, given the price of an apartment, most of us live in confined spaces with the purpose of being able to fall out of bed and hit the clubs, the trendiest restaurants, and most importantly work.  We live in New York to work.  Home is an afterthought ,a place one arrives late at night and which one leaves early in the morning.  Life is at the gym.  Life is in the office.  Life is at the amazing cultural event where we saw the cultural icon and actually said hello to her, and she nodded in a vague recognition — yes, she nodded at us!  Home is a closet with a bed that pulls out.  It is a refrigerator more for wine than for food.  It is a window that shows a brick wall in front of it but which lets the light in.  If we are wealthy enough to own a space in New York where others might be invited for a gathering, the chief purpose of the space is to impress others, not to be a great comfort.

The rest of America, particularly the South, understands home quite differently.  When Southerners go home, they go to a place that comforts.  Home is a place where food falls off the fork into the mouth of the laughing family.  Home is a place where the couch gives a hug to the potato. Home embodies a set of values that work could not contain, however worthy that work is.  Home is the place in the South where facades come down, where real conversations happen, where some powerful truth is lived.  It is not a hangar for a plane itching to take off and away.  The adventure of life happens in the Southern home, not outside of it.

This mixed-race, non-sexist couple are design stars of the New South.

This mixed-race, non-sexist couple are design stars of the New South.

Into this philosophy we see inserted the design discourse of Chip and Joanna Gaines, renovators and decorators unapologetically from Waco, Texas, not New York.  They have restored a lovely farm for their growing family in a style that embraces the American ranch house traditions of Texas, the celebration of cowboy and Rodeo, of football elevated to sacrament, of Lone Star and encouraging scripture rendered into logo as well as sentiment.  They understand the black light velvet posters of Elvis and Jesus that somebody’s granddaddy put above his work bench out back.  They understand the room turned into a shrine for a team.  They understand Indian rugs, bull heads on walls, wagon wheels, and saddles as art pieces.  That said — they reject all that is tacky in the aforementioned design choices.  They understand that all those choices, while idiosyncratically Texan, rendered the home-owners provincial and narrow-minded.  They reject the stereotypes of architectural Texan sprawl and interior design that looks like the owners of the home are insular hicks.

A vintage sign, cabinet doors unhinged, and a modern feel to an old concept.

A vintage sign, cabinet doors unhinged, and a modern feel to an old concept.

Instead they remove popcorn from the ceilings in Waco.  They expose brick and original beams.  They do the thing that Willie Nelson famously sang in an anti-litter campaign long ago — they treat Texas like someone they love, all the houses in Texas that they touch like a place of love. Instead of being a cautionary tale of tastelessness — remember that Willie Nelson warned mommas not to let their babies grow up to be cowboys — they transform people’s homes into welcome embraces of Texan personality without any of the Texan stereotypes.   Instead of bull heads mounted on walls, we see antlers transformed into chandeliers.  Instead of a wagon wheel coffee table, we see a kitchen that uses a vintage tin sign over a farmhouse sink.  Everything is big in Texas, and the Gaines keep it that way — all the sofas are ample, the chairs wide-armed and overstuffed, and yet the rooms feel airy and uncrowded because in their Texas, less is more. ranch-house long tables become family dining room statements under farm lamps.

elegance without pretense

elegance without pretense

This decor is not ostentatious in the way that a New York townhouse can be ostentatious, and neither is it a Bauhaus-inflected austerity, as a penthouse may be in the City.  Rather, the Gaines’ welcome us home at the end of every episode of their HGTV Show Fixer Upper, and the design has the aspiration of a New South that keeps the comfortable but eliminates the ignorant, that keeps the hay but makes nobody a hayseed.   When they fix up, they repair our broken American dreams.  They somehow eliminate bigotry along with rotting floorboards (the Gaines’ are a mixed-race couple with a non-sexist-yet-traditional marriage partnership).  They make home a place a modern person can go to without being painted into a corner.

They are why I like living in the South, why apartment life, though exciting, can not easily tempt me back again, and why I want to curl up with a good book on a large couch and pet the cat while I look out into a warm space filled with light. Let us aspire as their design aspires, to be chic without pretense. May we all be so fixed up and so rehabilitated as the old ranch houses they gut and remodel.

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