Yes, that movie, the second one, bombed. Yes, the characters, so compelling in the series, became sad caricatures instead of women who had learned something valuable from the variety of hard knocks they had had over the years.
So what? Women where I come from, New York City, still identify with them, perhaps more than we should.
The girls with whom the country girls don't identify
When I worked in publishing years ago, there was an editorial assistant there who squealed, after I delivered some diatribe in New York irony regarding cocktails, my shoes, and women’s priorities in New York, “Omigod! You are so Carrie Bradshaw!”
I did not understand. Who was Carrie Bradshaw?
She made me, absolutely forced me, to watch season one of the show, which I had never watched — I wasn’t slutty, and why would I want to watch a show called Sex and the City? I wasn’t looking for sex in the city — I was married, so I wasn’t stalking men, and what could possibly make me identify with women in such a show?
I sat and watched episode one. I was sufficiently entertained to watch episode two. In the middle of episode two, I jumped off the couch and screamed.
Someone had been spying on me. I really was Carrie Bradshaw, I mean I was not just like her, I WAS her, at least for a few moments on the screen.
Carrie is talking to Charlotte in that episode, and Charlotte says these words:
“Anal sex? That can’t be! I went to Smith College!”
A year earlier, I had had tea at the Plaza Hotel’s Palm Court with a girlfriend, and that girl, who really WAS Charlotte for fifteen seconds of episode two, had uttered those words precisely to me. She had said them loudly enough to be overheard by somebody else. Writers in New York keep notebooks to jot down what others say to use such phrases later in other creations. It most definitely was overheard by one of those notebook-toting writers.
What’s more, I had a lot of clothes, too many for my apartment closet. I had shoes, and in that moment, before 9/11, at the tail end of the dot com bubble, I kept buying them, nice ones. I had cocktails with girlfriends regularly and networked even more regularly in the art world over cocktails. I had a friend who was an astonishing nymphomaniac, another friend who was pampered and aristocratic, a number of friends with powerful careers that made them fearful and cynical — in short, I was, whether I liked it or not, one of the city’s many Carrie Bradshaws.
My friends and I never discussed the series together. We apparently all got privately hooked, however, because when the first movie came out, we went to see it together, along with the crowds and crowds of us who had gotten privately hooked. The theater rang with that breathless recognition, when one’s life was splayed out on the wide screen. We knew these girls. We were, all of us, these girls, whether we liked it or not.
And it’s not just my generation in New York that has experienced this phenomenon — the one that follows us is more convinced that these women are who they should become, not just who they are but who they are truly meant to be. Note the continued paucity of real female role models, even today, Hillary Clinton and Condoleeza Rice notwithstanding. I was interviewing interns a year ago, and a young woman told me it was her goal to become Samantha Jones.
She qualified it when my eyebrows rose: “Not that I want to sleep with so many guys, just that I want to own my own PR firm and be in charge of my life.”
Oh. They are seeing other things about the forty-year-old, fifty-year-old girls than the girls, that is, we who are them despite ourselves, than we generally see, like Samantha’s emotional immaturity and self-centered outlook. They see independence and strength. Are we independent and strong?
Other young women in the city love every episode, see it as an Emily Post for a complex world of male-female relationships which is off-road at best and a survivalist nightmare at worst.
I’m sorry, younger women. To the extent that I am Carrie Bradshaw, I apologize. We should have been stronger, more moral, more nurturing of you. The shoes weren’t as important as your school books. Big is nobody’s perfect match, and neither is any other man who has that many issues regarding commitment. We didn’t teach you this. I, as a spokesperson for the generation of Carrie Bradshaws that somehow emerged on the island of Manhattan, I apologize to you. I wish we had given you something more admirable to admire. If you think we have it figured out, we don’t. If we look confident, we’re not. We’re boxing shadows everywhere, and while we look marvelous, much better than our own mothers at this age, and we have had many brilliant experiences, do not assume for a minute we know what we are doing. We are piloting this plane without training. It may crash into those looming towers any second. We have not meant to be terrorists in your lives. I fear we may be nonetheless. Please forgive us.
Because I am to some extent Carrie Bradshaw, I went to see the movie number two, right here in Vicksburg. The theater, this on the weekend it opened, was entirely empty when I arrived a few minutes before show time. I wandered down the aisle toward the front. I was astonished by the cool emptiness. I parked myself in the sixth row, where I like to sit, where the screen overwhelms one, and I heard a few others behind me shuffle quietly in over the next few minutes. I nibbled popcorn and could hear myself chewing. I heard neither gasps nor laughter of recognition. I know the second movie wasn’t very good. However, the girls in New York know they are still Carrie Bradshaw, even on a bad trip to Abu Dhabi.
On September 11th, I escorted that editorial assistant down the fire stairs of the building where we worked and had watched in horror as the largest buildings in New York melted down like fast-burning cigarettes. I miraculously got a cell phone signal to call her near-hysterical mother, who had been sure that her taking a job in Manhattan was a death sentence before the attack. We walked by the tents in Bryant Park. They had canceled fashion week. Eventually, I got her to a subway, finally working, and she took the long trip home to the end of the line.
The next day, I lost my job.
This week, after the weekend debut, I got a text message from one of my cocktail-mixing Manhattanite friends. She wrote: “Am about to see Sex and the City. Wish you were here.”
I make no more sense in Mississippi on some days than Samantha did in Abu Dhabi. I am alien to this landscape. Slowly, I am making a few friends. But who am I kidding? I don’t have designer shoe money as I get my PhD. I have a home where it is sometimes lovely, but then the air conditioner breaks, my husband breaks the window and thinks that duct tape is a perfectly good solution, the dog poops in every room, my hair frizzes past the point of recognition.
Who am I kidding? I am alien. Yet, I belong here. A PhD will be valuable in my career. Despite the duct tape and the pretzels he left all over the carpet last night, I love my husband. Somehow, this has got to be my home.
After September 11th, New Yorkers cleaned up and got on with work. I got a new job, finished my Master’s Degree. A wonderful cop told Osama Bin Laden at Madison Square Garden, after losing hundreds of colleagues and no sleep, that he could kiss his royal Irish ass.
My ass is Irish. I’m not sure who to tell to kiss it. However, I think it is time for me to shout such a thing. Who is the enemy here? Where are my towers? Where are my shoes?
Mississippi? That can’t be! I went to Sarah Lawrence College.
Tomorrow I’ll be glad of the beauty that surrounds me. Tomorrow, I’ll be glad for the time I have to write. Tomorrow, I’ll be thrilled again at my big kitchen where I bake and cook whatever pleases me. Tomorrow, I’ll be glad at the unpretentious way things are done around here. Tomorrow, I will be thrilled again that this is a place where my Christian worldview is welcome.
Today, I miss Samantha. and Charlotte. and Miranda. They are fictional characters, and I am not in fact Carrie Bradshaw, and yet, I met them everywhere. I mourn for us, we fictional characters, become caricatures of our former selves.