The Carpet Bagger's Journal — moving from NYC to Mississippi

May 17, 2011

Apres Moi le Deluge — why the news coverage of the flooding of Vicksburg is an exaggeration

See that hill that the Yankees are taking? That's where I live -- Vicksburg. Go Yanks!

I don’t mean to demean the troubles of the small number of families in the Vicksburg who have been flooded out of  their homes.  However, the national news coverage of my post-New-York home town of Vicksburg of late has worried a number of people I know.  They imagine me wading through muck trying to salvage my DVD player.    But the reason why Vicksburg was a crucial part of the Civil War was that it was placed on a high bluff ABOVE the Mississippi River.

If I watched Fox News, and I don’t, I might think I was gathering the animals two by two to repopulate the Earth after the water recedes.  CNN has filmed the train depot more than half underwater — and it is indeed more than half underwater right now.  However, what the news doesn’t show you is that the entire town is up a very tall,  steep hill from this place.  The illustration from the Civil War to the left shows the geography of  the town.  Where most of us live is where the flag is planted in the distance.  The casinos are at the riverbank — so is a defunct railway station that the town has been planning to make into a museum.  So are some vacant lots and a very few houses.

But the news media is making it look like the Johnstown Flood.  In fact, it is nothing of the kind.  Things are far worse in Memphis, in Louisiana, and in other places outside of town.  Not only are the Army Corps of Engineers working to keep the water back from the  casinos — the Army Corps of Engineers lives here — the Waterways Center of the Army Corps of Engineers is up here, and these engineers are defending their own houses from the deluge.  They couldn’t be more personally motivated to get it right, and they are truly doing their very best work despite very difficult circumstances.

We in Vicksburg are mostly doing alright.  My husband volunteered to help move the four families at our church that might have their houses flooded, but he has not been called off the bench because they have not been victims of any high waters.

Ironically, parts of the film O Brother, Where Art Thou? were filmed in Vicksburg, and that film climaxes with a large flood.  Admittedly, this narrative is not yet ended, but the water is supposed to crest in three days.   There are no rain storms in the forecast.  The media should cover the people who are really suffering.  Most of  them don’t live in this town.

October 22, 2010

The Dental War of Northern Aggression

My smile is a Yankee/Confederate battleground

The first shot was fired by the South — I’m not talking about Fort Sumter; I’m talking about my mouth.  Normally, I’m the one that shoots my own mouth off, but I specifically blame the South for firing the first shot in what has become a dental battle, perhaps the first dental battle between the states.  However, as this blog entry will attest, it was a war of Northern Aggression from that point onward.

My tooth fell out when I was chewing on something fried.  I refuse to blame a history of poor dental hygiene for my tooth’s demise.  I blame the hash browns and the mysterious atmosphere that makes people have buck teeth or gap teeth in hick towns in the American heartland.

It didn’t happen at Waffle House, but it might have — Kathy Griffin called Waffle House a “tooth-optional restaurant” in one of her stand-up routines.  I love Waffle House, and I must say, one does see a few grins with gaps in them there.

My friend, Lauretta Hannon, author of The Cracker Queen told me, “The initiation is complete: you are now officially a Cracker Queen.”

What is it about the gravitational pull below the Mason-Dixon Line that makes women’s teeth fall out with more frequency?  Why was the Earth demanding I return my teeth to her?  Won’t my bones be powdered in a grave some day?  Can’t the Earth wait until then?

I found my way to Dr. Steve Wooten, DDS, of Oxford Mississippi.  His website included a variety of scary grimace “before” pictures and movie-star smile “after” pictures, and nothing about him in his photo looked truly menacing, even if I squinted and imagined him armed with a tiny pick and a mirrored rod.  Although, because of the photo’s background — a bunch of trees, I wondered if Mississippi dental work was generally performed outside:

He looks harmless, but look at the photo background -- is his dental practice outside?

Dr. Wooten and his staff — Sam, a very pretty receptionist with a sweet, high voice, and Valerie, his dental hygienist, who is also quite sweet and gracious, in fact, work indoors, not outdoors, in a brightly lit office not far from the University of Missisippi.  Everyone there is sweet as pie, except that pie might cause cavities, which they, of course, try to prevent.   Dr. Wooten managed to successfully reattach my tooth to itself using a technique rather more sophisticated than the one that I used in second grade when I glued macaroni bits onto a piece of construction paper.  I would recommend him and his practice to anyone.

Even though I am a big scaredy cat when it comes to dentistry — I’m always afraid of getting hurt, and I’m like my dog Oscar, who never likes it when somebody sticks a finger in his mouth that he can’t bite on with impunity — Sam, Valerie, and Dr. Wooten were kind, gentle, patient, and many of the other things that it says to do in 1 Corinthians 13 when someone has a dental appointment.

Very reasonably, as Dr. Wooten is, in fact, a reasonable man, he wanted to see my old X-rays, which were taken in a dental practice in Brooklyn.

The people there, as I did indeed remember, were nowhere as sweet as Valerie and Sam.  If I imagine Valerie and Sam wearing other clothes than scrubs, I imagine them wearing dresses, headed off to church with family members.  The receptionist and the hygienist of my Brooklyn dental office, if I imagine them out of scrubs, they were more like a pair of tag-team wrestlers — “Lady Destruction” and “The Scowler,” perhaps, wearing studded masks.

I remember fear walking into the office of my dentist in Brooklyn.  She herself was nice enough, but perhaps I found her more so in contrast to her support staff, who poked me with sharp tools and told me to bite down on things that cut my gums while I wore a lead apron.  I remember drooling and bleeding, but other details are foggy.

Sam, back in Mississippi, who does not look like she makes anybody bleed, very appropriately called my dental office in Brooklyn, where she said to me, very politely and respectfully about my homeland, that she just “wasn’t quite sure” she had understood them or that they could understand her Southern drawl.

In the end, they told her they weren’t going to send my x-rays and slammed the phone down on her.  The Scowler could hear, surely, the meekness and deference in Sam’s voice, and in Brooklyn, nobody gets my x-rays, apparently, unless they are willing to attempt several holds in the ring.  If the Scowler slaps the mat, then another office can see my bicuspids from the inside out.

Everything, in fact, in Brooklyn, is more like tag-team wrestling than it is here.  People and their stuff get shuffled around, and while many people are lovely in Brooklyn, they rarely feel they have the time to acknowledge the humanity of a stranger or stop to smell the roses.  Smelling the coffee is more like it, and the stronger the better, because the pace is break-neck.  “The break-neck,” as I recall, was one of the holds my Brooklyn dentist used on me to get to my back molars.

Dr. Wooten looked at my current X-rays, the ones he took.  He pointed on the screen in his office to a back molar of mine and shook his head.  I asked him if I had been the victim of dimestore dentistry.  He told me that he could think of a word to call what he saw, but he didn’t know me well enough to say it to me, not to mention I’m a lady, and not Lady Destruction, either.

Was I the victim of dental abuse?

The good news:  I know the boss of Lady Destruction and The Scowler, and because they fear the wrath of upper management, I’m sure Dr. Wooten will get to look at my teeth from back in the day, for what it’s worth to him.

The bad news: Clearly, The War Between the States is still ongoing.  The University of Mississippi ordered a giant telescope from up North right before hostilities broke out, and so it was never delivered, and they have an observatory without a tool for observation to this day on campus.  Down the street, my new dentist, Dr. Wooten, is waiting for delivery of diagnostic imaging — and today, no train car is required, only a digital image and an e-mail click, and yet I sit here, mouth agape, not drooling, but ready to spit.

 

The Carpet Bagger’s Store is now open!  — http://www.cafepress.com/TheCarpetBaggersShop

October 13, 2010

The Land of Cotton — and other mythical landscapes

 

Old times here, apparently, are not forgotten

 

When European writers imagined the Orient — a distant place, vaguely understood, rarely visited — they invented a landscape in their minds, invented customs and people unlike the  real residents of the lands to the  East of Europe, and what they invented said a lot more about their own feelings than the reality of the lands to the East of them.

I am reading a great deal about problems of orientalism in literature, am writing about imaginary versions of Japan concocted by Anglo writers.

As I drove this Monday through landscapes of rolled haystacks bound with wire and cotton — fields and fields of it, stretching with loden green and tufts of white everywhere — I wondered if there might not be a similar mystical landscape version of the South popularized in the North.

And so there is:  Dixie.

Dixie the song was written by a Yankee from Ohio — Daniel Decatur Emmett in 1859.

The song was first publicly sung in a minstrel show in  New York City that year.  White men from the North pretending to be black men from the South sang these words:

Oh I wish I was in the land of cotton!

Old times there are not forgotten!

Look away, Look away, Look away Dixie Land.

I have not written it in the offensive imitation of ebonics that was the original language of the minstrel show because it makes me unhappy to do so.

Within a few years, this song about happy ex-slaves nostalgic for a life of slavery in the South became part of the mythology, fully adopted, mind you, by rebel troops as their fight song in the Civil War.

There was an imagined South — one where slaves happily sang as they picked cotton.  There were happy women in hoop skirts.  There were white men with suits and string bow ties and goatees.  There were, in this imaginary South, no real poor white people suffering as the  real poor white people did as subsistence farmers.  The imaginary South was a fun Broadway show South.

Here I stand in the real South, overlooking real and quite lovely cotton fields with a greyish tinge and gritty dirt clods.   I am glad I have no picking to do  of these tufts.  I much prefer this South, the one with the real people who are not always happy but are usually smiling anyway.

In Orientalist fantasies, there are often despots.  Despotism, according to a scholar named Grosrichard, is an important part of the fantasy.  In the fantasy of the South, there are despots, too.  The reality of a history of despotism cannot be ignored.  The South did hold slaves longer than the Northern states, and there have  been many incidents of violence against people of color.  However, in the North, the image that the Klan is pandemic in the Bible Belt — that is a fantasy that absolves the North to some degree of its present hate crimes.  Earlier this month, a horrible hate crime was committed in the Bronx against a man who was assumed by his  attackers to be homosexual.  New Yorkers understand this horrible crime within the context of a much larger community where not everyone is filled with hate, not by a longshot.  However, the idea persists in New York City that hatred is more universal here in Mississippi.

Standing here near a cotton field — admittedly being white, being blonde with blue eyes, hence not as easily a target of such forms of hatred as if I were an African-American woman — I’m not sure that this is so.  I tend to think that while there are still some people who are hateful, the vast majority of people behave more like their neighbor’s keeper in a way that New Yorkers do not, can not, given the vast number of neighbors New Yorkers have.  People say hello to strangers all the time.  Churches feed people and visit the sick (something they also do in New York, when they know who is sick in the community).   There are haters here, to be sure, but in New York, I think some of that is just more suppressed, not extinguished.  Look at the awful things the Republican candidate for governor of New York said this week.   New York is not hate-free.  Neither is the South.  However, the despotism is muzzled at least down here to some degree in the real contemporary South, at least compared to the imagined South of the song Dixie.

In his book Orientalism Edward Said talks about Gustave Flaubert‘s  interaction with a courtesan in Egypt — Flaubert had a few imaginary ideas about the way women were different in Egypt than in France.  To be fair to Flaubert, in strictly external and superficial ways, the women did look different and sound different.  That said, his ideas about Egyptian women were crude and reductive.

The ideas that Northerners have about women of the South are a bit silly.  They imagine Scarlett O’Hara saying, “Why fiddle dee dee!”  They certainly imagine every Miss America contestant from below the  Mason Dixon line.  There are women who cultivate the pageant and the belle images, to be sure, but it would be crude and reductive to imagine there are no feminists down here, no thinkers among women, no hilarious, goofy interesting and individualistic women.  I do think it is harder to be that way down here than up North, as I see a greater pressure to conform to the artificial standards of the cult of Southern womanhood.

So as I look at the field in the land of cotton — are old times forgotten here?  Look away – no, but perhaps they will be overcome yet.  Look away – no, but the South is reinventing itself.  Look away — but why would you look away?  These fields are beautiful, aren’t they? – Dixie Land.

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